Marcia Bjornerud, Reading the Rocks; Jeremy Braddock, Collecting as Modernist Practice; William Shakespeare, Pericles; Bill Schutt, Bite; William T. Taylor, Hoof Beats, how horses shaped human history; Laura Brown, The Counterhuman Imaginary; Mary Antin, The Promised Land; Marcia Bjornerud, Turning to Stone; Leonard Cassuto, Academic Writing as if Readers Matter; Cathy Caruth, Literature in the Ashes of History; Elisha Cohn, Still Life; Charles Dickens, Little Dorrit; Peter Bogucki, The Barbarians; Paul Veyne, Palmyra; George Hutchinson, Facing the Abyss; Percival Everett, James; Arlie Russell Hochschild, Stolen Pride; Jo Sinclair, Wasteland; Niall Williams, Time of the Child; Isaac Rosenfeld, Passage from Home; Anatole Broyard, Kafka Was the Rage; Saul Bellow, The Adventures of Augie March; Abdulrazak Gurnah, Gravel Heart; Charles Dickens, Great Expectations; Sy Montgomery, Soul of an Octopus; Zibby Owens, On Being Jewish in America; Evi Bassoff, My Twinkling Grandmother; “Karen Palmer,” She’s Under Here; Sophy Roberts, A Training School for Elephants; Mike Stark,Starlings, the Curious Odyssey of a Most Hated Bird; “Maritza Duran,” From the Dictator’s Shadows; Pierre Zalloua, Ancestors; Dorothy Armstrong, Threads of Empire, a History of the World in Twelve Carpets; Shari Rabin, Jews of the West; Rachel Cockerell, Melting Point; Anne Tyler, Three Days in June; Anne Tyler, A Patchwork Planet, Karen R. Jones, Beastly Britain; Anne Tyler, A Spool of Blue Thread; Andreas Daum, Alexander von Humboldt; Ian Stewart, The Celts, Israel Zangwill, Children of the Ghetto; Joyce E. Chaplin, The Franklin Stove; Dyson and Rowland, Archeology and History in Sardinia from the Stone Age to the Middle Ages; Thomas Levenson, So Very Small.
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